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01
01 | CONDÉ NAST | Vogue Arabia Relaunch
02
02 | AMAN | Saudi Arabia & Dubai
03
03 | MR PORTER | Finneas
04
05
05 | CIPRIANI | MR C Residence Dubai
06
06 | MR PORTER | In America
07
07 | COLUMBIA SPORTSWEAR | Ramadan Activation: Light Your Path
08
08 | MASTERCARD | Sail Grand Prix x Luís Figo
09
09 | NIKE | Global Vomero 18 Activation
10
11
11 | CHARLOTTE TILBURY | Disney 100 Campaign
12
12 | LOUIS VUITTON | The Glass Magazine
13
13 | HARVEY NICHOLS | Festive, Beauty
14
14 | GUESS | Global Ramadan Campaign
15
15 | SIRO HOTEL | Campaign
16
16 | HAMILTON WATCHES | Ventura XXL Campaign
17
17 | JUMEIRAH | Jumeirah Beach Hotel Al Bahar Villa
18
18 | BVLGARI | Bvlgari x Vogue
19
19 | STONE ISLAND | The Life Aquatic, With Stone Island
20
20 | MR PORTER | Championing Subcultures
21
21 | MR PORTER | Journal | Editorial & Visual Research
22
22 | TRIPPIN | Editorial | Long-Form Features
23
23 | VOGUE ARABIA | Visual Research | Archive Editorial
© 2026 Emily Lucas
Vogue Arabia
Why I Refuse to Use Face-Altering Filters in 2025
2025
The Task

Source archive imagery for an article on the homogenising effect of face-altering filters, and what their unchecked rise teaches the next generation of women being raised online. Brief called for a single visual hook strong enough to hold a long-form opinion piece without distracting from the writing.

The Outcome

Licensed a 1969 Keystone archive frame from Getty Images: a model wearing comically oversized glasses that magnify her eyes. The vintage physical filter mirrors the digital ones the essay critiques, sharpening the central argument that distorting how we appear is not a new instinct, but one that has evolved over time.

Why I Refuse to Use Face-Altering Filters in 2025 – 1
Visual ResearchPhoto SourcingArchive LicensingEditorial